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as an implicit religion, this does not mean the show should be looked at as a sacred and moral artifact.
In this sense, the actual film’s creators also act like God-like figures: creating a story, casting actors, making final decisions on the means of production.
The director, Peter Weir even considered playing the character Christof (Cormier).
is the kind of movie that attempts to challenge the audience by using the medium of film, the technology that society strongly depends upon, to critique itself and its viewers.
The movie is named after within the film that revolves around the life of a man who was adopted by a corporation at birth.
These scenes, where the movie’s audience gets glimpses of how s audience absorbs and responds to the show, demonstrates the show functioning as a religion through the collective.
These people gather together in stadiums, bars, and other public places, and use the show as a bonding experience that results in an extreme attachment to the show.If we use this lens as a way to look at the actions of the audience in this film, could be identified as the collective good that is being made sacred, not only through Christof’s influence, but largely by the audience themselves.After all, one of the three functions of religion is the social function, which is defined by the power of the collective and how shared social experiences create bonds and form attachments toward each other and the experience itself (Bancroft).Christof has created a reality for audience members, one that they accept so certainly.Audience members are devoted, engaged and even buy products seen on in order to become that much more involved.Not only does Christof control ever aspect of Truman’s world but he also controls the audience and what they see.He has created a world for Truman to live in and a world in which audience members have become ritually devoted to.However, just as he adopts a kind of totalitarian rule over Truman’s life, he also plays the God-like figure of authority for the worldwide audience of itself becomes a kind of implicit religion that the audience has become so dependent and involved in that their idea of reality also becomes just as controlled by the show’s director, Christof.These small clips that reveal the activity of the show’s audience are essential to understanding how the show itself has become an implicit religion for them.A closer look at the last example shows the daughter holding what looks to be a Meryl doll, and behind her is a large collage with pictures of “characters” from the show that covers their entire door.Through these scenes the three definitions that Chris Klassen describes in his book, , are realized.