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Because if we happened, just happened to discover, or even suspect, that our spontaneity was part of their order, we'd know that we were lost. It must have been shattering, stamped into one’s memory. A third witness, you understand, adds no further dimension but only spreads it thinner, and a fourth thinner still, and the more witnesses there are the thinner it gets and the more reasonable it becomes until it is as thin as reality, the name we give to the common experience... If we start being arbitrary it'll just be a shambles: at least, let us hope so. When it first occurred to you that you don’t go on forever.
Confusing moments in a work of literature are like a loose thread in a sweater: if you pull on it, you can unravel the entire thing.
Ask yourself why the author chose to write about that character or scene the way he or she did and you might tap into some important insights about the work as a whole. Is there a phrase that the main character uses constantly or an image that repeats throughout the book?
Finally, remember to keep the scope of your question in mind: is this a topic you can adequately address within the word or page limit you’ve been given?
Conversely, is this a topic big enough to fill the required length? ” “What happens to Scout in To Kill a Mockingbird ?
At this point, you don’t need to know exactly what you’re going to say about your topic; you just need a place to begin your exploration.
You can help direct your reading and brainstorming by formulating your topic as a question, which you’ll then try to answer in your essay.You might find yourself reading to get caught up in an exciting story, to learn about an interesting time or place, or just to pass time.Maybe you’re looking for inspiration, guidance, or a reflection of your own life.It must have been shattering, stamped into one's memory. A Chinaman of the T'ang Dynasty - and, by which definition, a philosopher - dreamed he was a butterfly, and from that moment he was never quite sure that he was not a butterfly dreaming it was a Chinese philosopher. ” ― “Whatever became of the moment when one first knew about death? Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. Out we come, bloodied and squalling, with the knowledge that for all the points of the compass, there's only one direction. Guildenstern: No, no, no--what you've been is not on boats.” ― “We're more of the love, blood, and rhetoric school.There are as many different, valid ways of reading a book as there are books in the world.When you read a work of literature in an English class, however, you’re being asked to read in a special way: you’re being asked to perform literary analysis.“Whatever became of the momentwhen one first knew about death? Before we know the word for it, before we know that there are words,out we come, bloodied and squalling..the knowledge that for all the points of the compass, there's only one directionand time is its only measure.” ― “Rosencrantz: We might as well be dead. There must have been one, a moment, in childhood, when it first occurred to you that you don't go on forever.