French Lieutenant'S Woman Essay

French Lieutenant'S Woman Essay-64
The film adaptation of accordingly allows the viewer to not only distinguish Mike, Anna, Charles, and Sarah individually, but analyze Charles through Mike and Sarah through Anna.Though the director is not as noticeably present within the film as Fowles in his novel, Reisz is embodied by Mike and Anna as contemporary actors personifying their roles as well as conveying their twentieth century perspectives on their nineteenth century characters.

The film adaptation of accordingly allows the viewer to not only distinguish Mike, Anna, Charles, and Sarah individually, but analyze Charles through Mike and Sarah through Anna.Though the director is not as noticeably present within the film as Fowles in his novel, Reisz is embodied by Mike and Anna as contemporary actors personifying their roles as well as conveying their twentieth century perspectives on their nineteenth century characters.

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The vast verdure, the whispering sea, the azure of the heavens; Lyme Regis in all its deceitful beauty, masking the harsh and bitter reality of Victorian society, is a fixture of John Fowles’ multi-layered, artfully crafted novel .

The social struggles within this small pocket of Victorian Britain distinctly portray a much darker image.

Fowles ties the reader’s view to Sarah’s self reflection, all the more trapping him/her into perceiving freedom as a reality. The implication of impulse and randomness supports the idea she exists and acts outside the constraints of Victorian society and even beyond Fowles’ power.

When Charles questions Sarah’s manipulative actions, effectively transforming his destiny, Sarah cries, “Do not ask me to explain what I have done. Once again, Fowles reinforces the humanity and mystery within Sarah’s behavior, bonding her struggle with the reality of human choice, to blur the disparity between the reader and Sarah through the common conflict with decision and free will.

It is only when our characters and events begin to disobey us that they begin to live” (96).

Sarah’s deviation from society also marks some deviation from Fowles’ authority, and leads the reader to believe the freedom and originality she sees in herself must exist.

Fowles furthers the assurance of freedom by the complexity of character relationships, inviting numerous perspectives for the reader to view as autonomous characters as well as entities created through Fowles.

“We also know that a genuinely created world must be independent of its creator…

The film’s challenge in meeting the standard of the novel is interesting, however, because it is an intimation of our own societal restrictions.

, in literary and motion picture form, indicates the inability of society to fully free an individual and its inadequacy to support such person.

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