Essays Comparing Heart Darkness Apocalypse Now

Essays Comparing Heart Darkness Apocalypse Now-32
While it is true that the central character remains on the screen more than anyone else in the movie, and his comments are often there on the sound track, the viewer still does not see others completely from his point of view, as the reader does in the novel.Hence, Apocalypse Now is robbed of some of the emotional intensity that one feels when one reads Heart of Darkness.

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Moreover, while Marlow and Willard each travel up a primeval river to fulfill their respective assignments, each speculates about the character of the man he is seeking, with the help of the information each has pieced together about him.

In addition, the last stop for both Marlow and Willard is their soul-altering confrontation with Kurtz.

Here, the film version of a novel is the interpretation of comparing and contrasting apocalypse now and heart of darkness screenwriter and the director of that particular comparing and contrasting apocalypse now and heart of darkness.

Comparison and Contrast In attempting to compare and contrast Heart of Darkness and Apocalypse Now, one must consider the development of the script from its inception to its final form.

For one, a film, as a product of the commercial cinema, must appeal to a mass audience, whereas a novel appeals only to a segment of the population.

In addition, filmgoers watch a movie for about two hours on the average, whereas it is unlikely to finish reading a novel in two hours.In comparing and contrasting a novel and its film version, one must take into account the issue of compression, which becomes an important factor in making a motion picture based on a novel, since the novelist can take comparing and contrasting apocalypse now and heart of darkness many pages as he or she likes to develop plot and characters, whereas the scriptwriter has only a couple of hours of screen time at most.Often, the screenwriter handles this problem by selecting what he or she considers to be the key sections of the novel and to develop them in his or her script to their full dramatic potential, rather than to try to present, survey-fashion, all of the events of the novel.In the spring of 1975 Coppola told comparing and contrasting apocalypse now and heart of darkness interviewer that his next film would deal with the Vietnam War.The script had updated the story to the Vietnam War and turned Kurtz from an ivory trader into a Green Beret officer who defects from the American army and sets up his own army across the Cambodian border where he proceeds to conduct his own private war against the Vietcong.Willard is mandated to journey up the Mekong River in a navy patrol boat to find Col.Kurtz, who has recruited his own renegade army to fight the Vietcong.As Coppola describes this ending, Kurtz, a battlemad commander, wearing two bands of machine gun bullets across his chest, takes Willard by the hand and leads him into battle against the North Vietnamese.Yet although the settings and backgrounds of novella and film are quite different, the manner in which the story is narrated in each instance is very well similar.This perspective, is rooted in the narration Conrad gives to Marlow.American helicopters, which are coming to rescue Willard, then appear in the sky over the compound; and Willard shoots wildly at them, as the film comes to an end.


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