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The public always likes an exposé, but what made the stories so popular was not simply the explosive revelations of military incompetence.
The diva was so arrogant and supercilious that she refused to answer any questions. Before many years passed I would prove this in my own flesh, until I came to believe, as I believe today more than ever, that the novel and journalism are children of the same mother . Yet he aspired to cover more substantive issues, including politics and government corruption, and to pursue investigative projects. and I knew that Salgar was the best teacher.” The editor taught him to how to communicate his ideas clearly and pare down his florid prose.
Finally, her husband intervened and salvaged the interview. When he was first hired at El Espectador, García Márquez hoped to impress an editor by the name of Jose Salgar. Every time Salgar read one of García Márquez’s stories, he made “the strenuous gesture of forcing a cork out of a bottle and said, ‘Wring the neck of the swan.’ ” Soon, García Márquez was assigned the kinds of projects he had dreamed of pursuing.
Luis Alejandro Velasco, a sailor who spent ten days on a life raft without food or water, was the only survivor.
The editor of the Colombian newspaper El Espectador assigned the story to a twenty-seven-year-old reporter who had been dabbling in fiction and had a reputation as a gifted feature writer: Gabriel García Márquez.
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With a “Love Implant,” couples would have the opportunity to grow stronger bonds with each other just by looking at one another.García Márquez thought it was absurd the way the government held up Velasco as an example of patriotic morality.What’s more, he believed the sailor had sold out in a most unseemly manner—advertising the brand of watch he wore at sea (because it had not stopped) and the shoes on his feet (because they were too sturdy for him to tear apart and eat during his ordeal).Now, says Williams, he was rising to the challenge of constructing a lengthy narrative: “The ability he has to maintain a level of suspense throughout is something that later became a powerful element of his novels.” n fact, it was the reporter’s capacity to anatomize human behavior—rather than simply pass along the facts—that first drew García Márquez to the newsroom. Elvira’s article made me aware of the reporter I carried sleeping in my heart and I resolved to wake him. García Márquez ended up leaving law school and working for a series of Colombian newspapers.He was a young law student with little interest in journalism when an acquaintance named Elvira Mendoza, who edited the women’s section of a Bogotá newspaper, was assigned to interview the Argentinean actress Berta Singerman. used Singerman’s foolishness to reveal her true personality set me to thinking for the first time about the possibilities of journalism, not as a primary source of information but as much more: a literary genre. He spent most of his early career writing movie reviews, human-interest stories, and a daily, unsigned column he shared with other reporters that resembled The New Yorker’s “Talk of the Town”—a common feature of South American newspapers.A few months later the government shut El Espectador down.The disappearance of his meal ticket forced García Márquez into the role of an itinerant journalist who sold freelance stories to pay the bills—and, crucially, continued to write fiction.She took advantage of the providential intervention of the husband and turned him into the real protagonist of the meeting . And then something new landed on his desk: the Velasco series.fter Luis Alejandro Velasco washed ashore, he was lionized by the press, decorated by the Colombian president, and became a national hero.The series marked a turning point in García Márquez’s life and writing career.The government was so incensed that the newspaper’s editors, who feared for the young reporter’s safety, sent him to Paris as its foreign correspondent.