Beatrice Benedick Much Ado Nothing Essay

Beatrice Benedick Much Ado Nothing Essay-44
One important theme in ‘much ado about nothing’ is inversion; this is done through the use of language.While it can be argued that language in this play is a representation of a characters’ social standing and intelligence, it can also be asserted that Shakespeare is displaying what is said as more important than the way in which it is said.

One important theme in ‘much ado about nothing’ is inversion; this is done through the use of language.While it can be argued that language in this play is a representation of a characters’ social standing and intelligence, it can also be asserted that Shakespeare is displaying what is said as more important than the way in which it is said.

“Hero swoons” in act 4 scene 1, and it is speculated that she is dead.

Death is traditionally prevalent in Shakespearian tragedies and is not in place with a comedy.

In Act 2 scene 3, lies an example of Shakespearian irony at the expense of Benedick’s certainty that “This can be no trick” in reference to the gulling performed on him by his counterparts.

This would have caused the lower classes to feel a level of superiority and produced the ‘feel good’ atmosphere so prevalent in comedies even today.

Instead, Leonato’s aim is to accuse his dead wife of being a whore in order to get a laugh from the laddish soldiers he wants to make friends with.

For men like Benedick, Claudio, Don Pedro, and Leonato, humour like this acts as both a weapon and a shield.From the very first scene, we can see how the play is concerned with male friendship and the practice of bonding through ‘banter’.As soon as this happens, we also see how this is done not just to cement friendships between men, but to exclude women from such conversations.In the more modern 2012 interpretation by director Joss Whedon, the gulling scene is exaggerated, taken as a moment of comic relief amongst the more tragic aspects of Much Ado about Nothing.This ultimately reinforces the play as a comedy and an experience of pleasurable merry-making.Qualities such as the ability to take personal revenge on men like Claudio, openly defy father-figures like Leonato, or even simply to fall in love with a person of her choosing and for her affection not to be seen as weakness, nor her sexual desires be used as evidence of her inconstant character. Shakespeare’s play grapples with a variety of things: gender, friendship, banter, shaming, trickery, hypocrisy, and even the nature of evil, just to name a few.But while the play doesn’t deal with ‘nothing’, there is ‘much ado’ about quite a lot.Their quick wit and blatant discontent towards each other would have seemed appealing to those of a higher stature.Shakespeare would also ensure that there were elements of comedy available for those of a lower social standing.There are tragic aspects of the play which make it less pleasurable; namely the ubiquitous presence of death.However, the restoration at the denouement solidifies its genre.

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