Bator An Essay On The International Trade In Art

Bator An Essay On The International Trade In Art-30
Looting Underwater Sources Adler, Christine, and Kenneth Polk. Stealing History: Tomb Raiders, Smugglers, and the Looting of the Ancient World. “The Illicit Traffic in Plundered Antiquities.” In Handbook of Transnational Crime and Justice, edited by Philip Reichel, 98–113.

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The first essay looks at the fraught issues involved with buying and selling antiquities in the United States.

The second essay deals with the difficult issues of the statute of limitations and owners recovering possession of art once held by them, but which has been misappropriated, that is, stolen or converted.

This essay addresses legal issues commonly faced by private collectors and dealers when buying and selling antiquities.

The evolving and multi-layered legal framework in which those issues must be considered can be complex, confusing and sometimes arbitrary. PEARLSTEIN is counsel to the New York law firm of Golenbock Eiseman Assor Bell & Peskoe LLP, where he represents leading private collectors and dealers in transactions, disputes and regulatory matters involving antiquities and fine art.

The Medici Conspiracy: The Illicit Journey of Looted Antiquities from Italy’s Tomb Raiders to the World’s Greatest Museums.

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The result is that 21st century art market participants are frequently unsure of their legal rights and obligations.

The three essays in this Spring Issue deal with core issues for ownership of visual art possession and title.

Transporting illicit artifacts from source to market requires organization, though not necessarily centralization, and sources on antiquities trafficking show a vast population of participants, from farmers to university-trained antiquities experts, whose only connection is a shared opportunity. Making the Mummies Dance: Inside the Metropolitan Museum of Art.

Looting on land is widespread and found in nearly every country. Chasing Aphrodite: The Hunt for Looted Antiquities at the World’s Richest Museum.

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